I wanted rhubarb
in Virginia. Everywhere,
weeds are what grow well.
Poetry. Translations of poetry, mostly classical Chinese and Japanese. Anything else I want to write.
Saturday, June 12, 2010
A Game of Telephone
A Note on the law of my version of the Chinese and Japanese poetry in here has produced two or more reading or writing comments on the translation of each poem. I use a good literary translation, but I'd rather not. Oh, I like to have the Roman alphabet, so I can have more rhythm of the original. But I really do not know in China or Japan are, beyond a few words. And the characters are completely opaque to me. In any case, I really appreciate the advice, but I can not read Chinese. If the alphabet, I might make a very simple word or two. Like this, "Nide shi bu hao," I understand this.
These are the computer translation is a previous post. I've got a friend who translated for me something. And I'm running the other posts online translation services - the output through. Usually understood, but occasionally puzzling.
So all the above is a back translation: the Chinese translation of my original post run back through the web translation service.
These are the computer translation is a previous post. I've got a friend who translated for me something. And I'm running the other posts online translation services - the output through. Usually understood, but occasionally puzzling.
So all the above is a back translation: the Chinese translation of my original post run back through the web translation service.
阿郵政翻譯
我的一個注記法版本的中國和日本詩歌出現在這裡已經製作了兩個或更多的評論閱讀或文字翻譯的每首詩。我用文學翻譯的好,但我寧願不要。哦,我太喜歡有羅馬拼音,所以我可以有更多的韻律感原。但我真的不知道在中國或日本都,超出了幾句話。和字符是完全不透明的,我要。無論如何,我真的很感激的意見,但我不能閱讀中文。如果是拼音,我可能會作出一個很簡單的兩句話。像這樣的“尼德市布浩,”我明白這個道理。
以上是電腦翻譯是一個以前的職位。我已經得到一個朋友為我翻譯一些東西。而且我運行的其他職位通過在線翻譯服務 - 輸出通常是理解的,但偶爾令人費解。
以上是電腦翻譯是一個以前的職位。我已經得到一個朋友為我翻譯一些東西。而且我運行的其他職位通過在線翻譯服務 - 輸出通常是理解的,但偶爾令人費解。
Sunday, May 30, 2010
from Tsurezuregusa
Whatever you may think of the socio-political wisdom of the this passage, you may be surprised that it is from Essays in Idleness by Kenko, a 14th-century Japanese poet, courtier, and Buddhist monk:
I believe...that it would be better, instead of imprisoning thieves and concerning ourselves only with punishing crimes, to run the country in such a way that no man would ever be hungry or cold. When a man lacks steady employment, his heart is not steady, and in extremity he will steal. As long as the country is not properly governed and people suffer from cold and hunger, there will never be an end to crime. It is pitiful to make people suffer, to force them to break the law, and then to punish them.
How then may we help the people? If those at the top would give up their luxury and wastefulness, protect the people, and encourage agriculture, those below would unquestionably benefit greatly. The real criminal is the man who commits a crime even though he has a normal share of food and clothing.
I believe...that it would be better, instead of imprisoning thieves and concerning ourselves only with punishing crimes, to run the country in such a way that no man would ever be hungry or cold. When a man lacks steady employment, his heart is not steady, and in extremity he will steal. As long as the country is not properly governed and people suffer from cold and hunger, there will never be an end to crime. It is pitiful to make people suffer, to force them to break the law, and then to punish them.
How then may we help the people? If those at the top would give up their luxury and wastefulness, protect the people, and encourage agriculture, those below would unquestionably benefit greatly. The real criminal is the man who commits a crime even though he has a normal share of food and clothing.
Wednesday, May 5, 2010
Two Tang Poems
Grasses grow rank around Red Bird Bridge.
Sun sets in the street of mansions.
Swallows from peeling painted eaves
swoop across the doorways of common folk.
--Liu Yuxi
On the Qinhuai River
With moonlight on sand and mist on cold water,
I tie up by a tavern on the river.
I hear a girl sing, with nothing of his grief,
the captive king's "Blossom of the Inner Court."
--Du Mu
Sun sets in the street of mansions.
Swallows from peeling painted eaves
swoop across the doorways of common folk.
--Liu Yuxi
On the Qinhuai River
With moonlight on sand and mist on cold water,
I tie up by a tavern on the river.
I hear a girl sing, with nothing of his grief,
the captive king's "Blossom of the Inner Court."
--Du Mu
Friday, April 23, 2010
Lumen
Your path,
you think,
is a dry straw
driven through the earthly garden,
a straw through which you are drawn
from desert to desert
by the sucking breath of God,
and that dim lumen
a midnight alley
through the middle of a block of the Tenderloin,
into which a bar fan blows jazz and smoke and beer,
a warm breeze heavy
with the smell of estrus and durian,
with the cries of monkeys and toucans,
with communion in Lao and Mandarin and Quechua.
you think,
is a dry straw
driven through the earthly garden,
a straw through which you are drawn
from desert to desert
by the sucking breath of God,
and that dim lumen
a midnight alley
through the middle of a block of the Tenderloin,
into which a bar fan blows jazz and smoke and beer,
a warm breeze heavy
with the smell of estrus and durian,
with the cries of monkeys and toucans,
with communion in Lao and Mandarin and Quechua.
Friday, March 26, 2010
Another Renga-Like Sequence
That one hummingbird
came at last to the cannas
before the first frost.
Oh, I see that twilight too
extends us rosy fingers.
Unused all these years,
college German spoken first
to an Afghan girl.
Feeling foreign everywhere,
why do I long to travel?
Turnpike overpass.
Treetop beyond the gray rail.
Left eye of the hawk.
What horrors for the handyman
behind his own toilet.
Beneath the table
the pastor's daughter and I
crawled through burning sand.
Rehobeth Beach: Twin towers,
unmarked, doors filled with concrete.
Called back at wood's edge.
Beyond, the sand spit between
calm bay, open lake.
I thought it was I that was
the cursor before the past.
Try to innervate
the scripture stylus: blaspheme?
worship? simply fail?
What stung me then, picking beans,
hands hidden among warm leaves?
A life so careful that each
scar has kept its story straight.
Soft, the Louisville Slugger
tapped three street signs into line.
How pleasantly long,
chatting with the old woman
at the wrong white house.
What temper leaves it unplayed
the piano does not tell.
Singular pleasure,
this book: five years on the shelf,
a blank checkout card.
My Khmer that amused Nareth
confounds her granddaughter Ray.
Should you say, "Aren't you
Frank's mom?" before or after
disimpacting her?
Who waved in the windshield glare
and drove on without stopping?
I lock up the store.
A passing drunk, punching me
weakly, staggers on.
The group-home boy ran until
he dropped naked on our lawn.
That night I said it
you had fallen in the snow
outside the playhouse.
A cute little number calls
lust right of the decimal.
Having written that
I see Nat's math problem as
Zeno's Paradox.
More urgency to leave makes
more checks of locks and burners.
Coming home in July
from nine years in Virginia,
our garden as green...
Not long after, they finished
the good road through the mountains.
Already three ducks
swimming in the borrow pit
by the half-built bridge.
And so it is this small space
that is left for all the rest.
came at last to the cannas
before the first frost.
Oh, I see that twilight too
extends us rosy fingers.
Unused all these years,
college German spoken first
to an Afghan girl.
Feeling foreign everywhere,
why do I long to travel?
Turnpike overpass.
Treetop beyond the gray rail.
Left eye of the hawk.
What horrors for the handyman
behind his own toilet.
Beneath the table
the pastor's daughter and I
crawled through burning sand.
Rehobeth Beach: Twin towers,
unmarked, doors filled with concrete.
Called back at wood's edge.
Beyond, the sand spit between
calm bay, open lake.
I thought it was I that was
the cursor before the past.
Try to innervate
the scripture stylus: blaspheme?
worship? simply fail?
What stung me then, picking beans,
hands hidden among warm leaves?
A life so careful that each
scar has kept its story straight.
Soft, the Louisville Slugger
tapped three street signs into line.
How pleasantly long,
chatting with the old woman
at the wrong white house.
What temper leaves it unplayed
the piano does not tell.
Singular pleasure,
this book: five years on the shelf,
a blank checkout card.
My Khmer that amused Nareth
confounds her granddaughter Ray.
Should you say, "Aren't you
Frank's mom?" before or after
disimpacting her?
Who waved in the windshield glare
and drove on without stopping?
I lock up the store.
A passing drunk, punching me
weakly, staggers on.
The group-home boy ran until
he dropped naked on our lawn.
That night I said it
you had fallen in the snow
outside the playhouse.
A cute little number calls
lust right of the decimal.
Having written that
I see Nat's math problem as
Zeno's Paradox.
More urgency to leave makes
more checks of locks and burners.
Coming home in July
from nine years in Virginia,
our garden as green...
Not long after, they finished
the good road through the mountains.
Already three ducks
swimming in the borrow pit
by the half-built bridge.
And so it is this small space
that is left for all the rest.
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